Ray Johnson

Raymond Edward Johnson (1927–1995), known primarily as a collagist and correspondence artist, was a seminal figure in the history of Neo-Dada and  early Pop art. Once called ‘New York’s most famous unknown artist,’ Johnson also staged and participated in early performance art events associated with the Fluxus movement and was the founder of a far-ranging mail art network – the New York Correspondence School – which picked up momentum in the 1960s and is still active today. He lived in New York City from 1949 to 1968, when he moved to a small town in Long island and remained there until his suicide.”    - Wikipedia

He was an unbelievably talented, unique artist with a truly interesting story.  If you’d like to learn more, watch How to Draw a Bunny, the documentary made about Johnson.  You won’t be disappointed.

Guy Peellaert

“Guy Peellaert was to Europe what Andy Warhol was to America – except that Guy had more talent!” – Jim Steranko (American comic book artist, art historian, publisher and film production illustrator).

Guy Peellaert was a Brussels-born artist.  He worked as a painter, illustrator, graphic artist and photographer, with shows around the world. Peellaert’s creations are a beautifully unique blend of comic-style illustration, American Pop Art and psychedelia.  He was a bit of a pop culture junkie; the artist survived on a steady diet of music, magazines, books, rock memorabilia, and pulp literature.  Peellaert’s first major success was with a comic strip published in 1966, “Les Aventures de Jodelle,” followed by “Pravda, La Survireuse” in 1968.  His comics were pop art masterpieces filled with sexy heroines kicking all sorts of ass!

Then, In the late Sixties, the artist moved from Brussels to Paris, where he stayed busy doing a bit of this and a bit of that – advertising, set design for casinos and the Crazy Horse nightclub, film and television.  But in his free time Peellaert continued to create art, and he quickly became a popular chronicler of rock and roll gods, painting his idols into fantasy situations come to life.

Peellaert gained such notoriety and success with his pop fantasy creations that he collaborated with British rock writer Nik Cohn to create “Rock Dreams” in 1974.  In a series of 125 paintings, Peellaert painted his heroes in situations echoing their mythical status or playing on their most famous lyrics.  The book was a huge success, and Peellaert became somewhat of a household name.

From there, the sky was pretty much the limit.  Peelaert went on to create some pretty iconic album covers, and movie posters …

Peellaert passed away November 17th, 2008 in Paris aged 74.  In 2003, Peellaert told Beaux Arts Magazine: “I’m not bothered about death. Not having any passion while you’re alive, that’s the terrible thing. That’s why “Rock Dreams” still works today. Emotions keep you alive. Rock will always represent the extravagant, the flashy, the fantasy. These pictures are a memento to that dream.”  Pretty perfect.

Interiors Magazine Covers

Ray Johnson, 1947

Ray Johnson, 1947

Andy Warhol, 1951

Aldo Giurgola, 1953

Bruno Munari, 1954

Andy Warhol, 1954

Alvin Lustig, 1946

Aldo Giurgola, 1955

George Giusti, 1952

Aldo Giurgola, 1954

George Tscherny, 1951

Andy Warhol and All Sorts of Weirdness

So, of course we all know and love (or at least) appreciate Andy Warhol for so many different reasons.  Not only did he change the art world on a global level, but he also affected popular culture in NYC and beyond with the Factory, his famed nights at Max’s Kansas City and Studio 54, and the following random appearances, commercials, and interviews …

The Love Boat, 1985

The Love Boat, 1985

Then there is this utterly amazing interview … so insightful!

Interiors by Roy Lichtenstein

During the mid 1990s Roy Lichtenstein abandoned comics and still lifes for the great world of interiors.  The paintings are all rendered in his trademark, comic book-inspired style, but they definitely reflect a great appreciation for modern furniture and architecture, highlighting the simple forms and atmosphere of decorative apartment life during this time period.

I especially love how Lichtenstein-esque works hang on the walls of these homes, alongside Warhols of course!

Pretty excellent.

The Cookie Jars of Andy Warhol

Cookie jars seem like a totally outdated concept to me; a treasured object of a time gone by, a tchotchke that would fill the house of a grandparent.  However, Andy Warhol, the king of downtown NYC cool was obsessed with them (in addition to too many other things), and his passion for the kitschy ceramics caused a fury amongst collectors in 1987 when his collection went up at auction.

Warhol had 175 jars in all when he passed away (in addition to 313 watches, 57 Navajo blankets, 210 Bakelite bracelets, 1,659 pieces of Russel Wright pottery and 170 chairs!). The cookie jars came in all sorts of shapes and sizes, including plump standing piggies of every mid-20th-century Pittsburgh home, clowns, a puppy, lamb, fairy tale moon, Disney characters and a Dutchman, and they were all made around the 40s and 50s.  It is said that he used to scour flea markets and junk shops on a daily basis to feed his obsession for collecting.

At the Sotheby’s auction in 1987, the cookie receptacles that formed part of Andy Warhol’s cookie jar collection were sold for a staggering $250,000.  There were 39 lots in all, with two jars in each, and each had been estimated to sell for $75 or at most $250 each.  Instead they brought in between $1,980 and $23,100 – the record for a lot of cookie jars sold at auction!  Gedalio Grinberg, the chairman of the board of the North American Watch Company in New York, spent $198,605 out of the $247,830 paid in this segment of the sale, which Sotheby’s had estimated would bring less than $7,000.  Insanity on all fronts.

BMW Art Cars

BMW 3.0 CSL - The first art car. Created by American sculptor Alexander Calder for his friend Herve Poulain

BMW 320i - Roy Lichtenstein, 1977

BMW M1 - Andy Warhol, 1977

BMW 3.0 CSL - Frank Stella, 1976

BMW 850CSI - David Hockney, 1995

M3 GT2 - Jeff Koons, 2010

BMW V12 LMR - Jenny Holzer, 1999

Coloring for All

Coloring.  It’s just good. We start to do it as babies, learn to do it well as children, are often forced to do it as adolescents, and many of us just stop doing it as we grow older.  But these unique coloring opportunities are good enough to bring even the least creative of us back to the Crayolas.

 

 

And if spending $135 for the beautiful Hermes coloring book seems a bit exorbitant to you (and it is!), check out the Hermes website where you can color online, do some Hermes tangrams, play the key chain slot machine, and waste a whole lot of time in the most fashionable of ways.  Don’t let the French scare you, just click away!